Rufus in Print:

Below you can find a list of the various publications Rufus Collins appears in. He has featured in a significant number of publications and remains an important figure in bringing black and multicultural theatre to the European stage. He is quoted in such a wide variety of texts simply due to his expertise and wide-ranging knowledge on a variety of theatrical topics and subjects. A person's expertise can be required in many areas, from manuals on playing games at new sites like PartyPoker (you can find more information and examples of new-age guides and commentary at the site itself - http://www.partypoker.com/) to the stage and what we can do to improve cultural awareness in the world of theatre. His legacy will be of a man who pioneered a new way of thinking when casting roles in European theatre. No one holds a better position in the industry to offer up quotes, even after his death.


• (Mentioned) POPism: The Warhol Sixties Andy Warhol
• (Quoted) e:Direction: A Theoretical and Practical Guide (Worlds of Performance) by Rebecca Schneider (Editor), Gabrielle Cody (Editor)
• (Mentioned in Copyright) Palestinians and Israelis in the Theatre by Dan Urian
• (Mentioned in Copyright) Spectacle, Silence and Subversion: Women's Performance Language and Strategies (Contemporary Theatre Review) by Margaret Llewellyn-Jones
• (Thanks given in Preface) Beyond the Echoes of Soweto: Five Plays by Matsemela Manaka (Routledge Harwood Contemporary Theatre Studies) by G. Davis
• (Mentioned in Copyright) No Man's Land: East German Drama After the Wall (Contemporary Theatre Review) by David W. Robinson
• (Dedicated to Rufus) Beyond the Echoes of Soweto: Five Plays (Routledge Harwood Contemporary Theatre Studies) by Matsemela Manaka
• (Mentioned in Copyright) Rod Wooden: Smoke and Moby Dick (Contemporary Theatre Review) by Franc Chamberlain
• (Obituary Published) Moliere Today by Michael Spingler